Analysis of Fando and Lis, a Work of the Theater of the Absurd of Fernando Arrabal - ScienceDirect

Crédito kavehkhkh

Crédito kavehkhkh

Miracle Insider: June 2013
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The present study investigates the Theater of the Absurd for the Spanish playwright, Fernando Arrabal, particularly the first phase of his works. Fando and Lis (1955), which was considered one of the most remarkable works in this period, was selected for analysis. Born in Melilla (1932), Arrabal chose a voluntary exile for himself in France since 1955 owing to the repressive regime of Franco. Framing himself in a queer and controversial pattern, he is one of the famous Spanish playwrights in the second half of 20th century. Because of his audacious works, he surpassed his contemporary writers to the global recognition. His works are popular in Europe and are highly appreciated by critics, especially The Architect and Emperor of Assyria (1977) and The Automobile Cemetery (1977). The author began his career with quite creative works of art. He wrote plays where death is never present as a destination from a philosophical point of view, but as a ritual ceremony. In Fando and Lis , Arrabal presents a universe dominated by anxiety and meaningless, using the most absurd dialogue and situations, strange and inconceivable objects. Fando and Lis is a work marked by its absurd scenes, dialogue incongruous repetitive language and present characters who are on their way to Tar (walking to get the reality, happiness, freedom, heaven, etc.). Through Fando and Lis , we try to prove the literary and artistic value of Arrabal works, and how they reflected the crises and destruction that happened in Spain and Europe after the Civil War and World War II. / p>